This is the current status of one of those monoprint starts I did 2 weeks ago. I've struggled with how to progress these things and decided to apply the same methodology I described in my "Composition 101" post earlier this week. I just needed something to get me to the next step. Sure enough, I got an idea about how to develop this one as soon as I got through step 1 (5-7 main shapes) and step 2 (value study thumbnails). Then the fun began!
I wanted a figure with head bowed and searched for that - no dice. Then I found one just about right on the net and I sketched it up on plain paper, transferred the outline to my monoprint and began painting. I began in bottom right corner and used quinacridone rose/blue mix to darken the value around the figure. In the left bottom I developed some boxes that came through on the monoprint into a checked, multi-colored area. The window was a bottle for a while - then that didn't make sense so I morphed it. And that about sums up how this business works. Synergy... one step builds on the previous and so on until you get an idea where to take the piece. I can just about here my readers' say "well, that was as clear as mud". Sorry, you either have to take my word for it or try it yourself. It's hard to describe. It feels like I'm almost done here. I'm considering whether the crossed leaf stamp in the top left is too white. I'll have another look when the sun is out to check the values. Enjoy!
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I wanted a figure with head bowed and searched for that - no dice. Then I found one just about right on the net and I sketched it up on plain paper, transferred the outline to my monoprint and began painting. I began in bottom right corner and used quinacridone rose/blue mix to darken the value around the figure. In the left bottom I developed some boxes that came through on the monoprint into a checked, multi-colored area. The window was a bottle for a while - then that didn't make sense so I morphed it. And that about sums up how this business works. Synergy... one step builds on the previous and so on until you get an idea where to take the piece. I can just about here my readers' say "well, that was as clear as mud". Sorry, you either have to take my word for it or try it yourself. It's hard to describe. It feels like I'm almost done here. I'm considering whether the crossed leaf stamp in the top left is too white. I'll have another look when the sun is out to check the values. Enjoy!
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