Monday, April 6, 2009

Part 1 of 5 - Matthew's Family

This transfer was done on a chipboard surface that had been prepared with white gesso. I used the heat transfer process that I described in detail on March 20th. Then I painted a black border around the transfer and overpainted parts where the colors were washed out. Then I added "Hannah" lettering and the stickers and overpainted a bit more. The wool yarn is woven through holes I punched with my new "Crop-A-dile II Big Bite" (cheap - $34 with a coupon at Michael's). I added some metal beads to the yarn just for fun.
I'll be doing 5 of these panels as a gift (a very long overdue birthday gift). Each panel is 5"x7". The holes on both sides attach the panels to eachother and make a zig-zag booklet of sorts. This one will have a panel for each of Matthew and Christina's children plus a bonus one because something has to be a surprise. Enjoy! Retweet this

Friday, April 3, 2009

Elitist Still Life

It just occurred to me that all of these objects seem to be turning up their noses at the world - thus the title. I'm not quite done this but it's come along way since last night. I still owe the middle shoe a shadow and I'm debating on whether or not the background needs something. I'm a bit confused about the teapot. The foreshortening is definitely hard to portray accurately and I'm still missing something. I'm loving the colors though... enjoy! Retweet this

Thursday, April 2, 2009

Watercolor again

My friend Sally and I met Monday for some art time. We had a great visit, tea, and set up a still life that I really like. Everything - tea, carving, and the very intriguing khussa shoes are all from India. We took our time drawing the set-up in our sketchbooks and transferring it onto watercolor paper. I have lots of painting left to do (haven't even started the tea pot) but I sure have enjoyed painting in watercolor again. There's just something so pure about it.
Enjoy! Retweet this

Sunday, March 29, 2009

Altered Book post 1

I am participating in an altered book collaboration with 5 other artists and our first exchange is coming up April 18. Each artist chooses a book to alter, sets the subject of the book, and completes 3 spreads before the first exchange. Each spread covers both the right and left hand pages when the book is opened. At each exchange we will come home with another artist's book and have a few weeks to complete 3 spreads in that book... and it goes on until each artist has done 3 spreads in each book. This is the first altered book for all of the artists involved. I'm excited to see all the work in all the books!

I chose a book by Claudia Bepko and JoAnne Krestan entitled Singing at the Top of Our Lungs which I found at my local Women In Need store for 50 cents. The authors studied the various ways women have created their own lives. The title is derived from one of their study participants who related that she loved to sing as a child but gave it up when she married. Why? Nobody made her do that but for some reason she stopped singing at the top of her lungs. She's singing again!
This is my first 2 page spread on my topic "Women & Creativity". To get the gist of the creativity part of this spread you need see the text on the bottom of the right-hand page. Here it is: "We hoped that we were creating the potential for a different story to emerge, one that could shed some light on the ways women struggle to define their own lives."
I have to agree with the book in many areas. Almost all women I know admit to having struggled to define their own life. It isn't [necessarily] because others are defining it for us but that we are so torn by so many good options (homemaking, mothering, working, hobbies, volunteering, grandparenting). Conflicted is the term I would use. It takes creativity to make choices and keep all these parts of our lives in proper balance. I hope my daughters and grand-daughters can make the very best choices for their lives and be happy with the life they define for themselves. I hope they sing at the top of their lungs!
I chose to use photos I took of Kiera and Kalista (2 of my 4 grand-daughters) at wonderful playground in Manitou Springs, Colorado. I was intrigued by the beautiful mosaic "pond" and the poem on it's wall. A group of people took the time to address the active needs of children in such a beautiful and creative way. The words of the poem remind me to slow down and admire the butterflies, dragonflies, lady bugs, and the other fun stuff of life that children see. I extended the images beyond the photo with water soluble crayons - such fun! I can't wait to see what my Neocolor II crayons do on art paper! Enjoy!
Retweet this

Tuesday, March 24, 2009

New mixed media painting

I've been puttering on this for the past week after the transfer I posted on March 20. I've got plenty left to do but I've been finding the creative process sluggish & challenging lately. I blame it on all the numbers I've had to look at over the past 10 days - yuck!

I hope to finish this over the next few days and when I do, you'll see it here again.
p.s. for those that know Chuck - mum's the word until the big bday is over - thanks! You might also take a minute to compare this photo to Erin's baby pics - it's uncanny how alike their mouths are!
Retweet this

Sunday, March 22, 2009

Tulip collage... done

I have learned a lot from this collage because I've basically done it over about 4 times. Collage is so flexible and that makes it really easy to take a 'do over'. Here are some other things I've learned while re-re-redoing this project:
  • Acrylic paint application - FAR different than watercolor and there are pluses and minuses. They really can't be compared to each other in my mind. Kinda like comparing really good automotive paint to really good makeup - the applications are just too different to make it worthwhile.
  • Acrylic mediums... part way through this project I learned that I should be using soft gel MATTE medium to attach collage papers rather than soft gel GLOSS medium. That's because the gloss medium is, you guessed it, glossy!
  • Paper weight... I used good quality sketch paper on this project and I've been fighting that from the outset. The smooth lines on the teapot, vase, and the apple are way too noticeable for my liking. Lighter paper - even 20 bond paper would have been a better choice in that regard. Archival quality doesn't matter because collage papers are sealed by the acrylic paint on top and are attached with more acrylic medium to the support.
  • Support - I used a stretched canvas support that I had on hand. The upside of that is that, if you a like the piece, you don't have to frame it... a little black paint on the edges is all that is needed. The downside is that, if you like only part of the piece, you can't cut the bad parts out and keep the good as easily as on other supports like watercolor paper, mat board, or illustration board.

I hope you had a great weekend. Ours was decent until late last night when it started to snow - 31 centimetres before it stopped. Enough said. Cheers...

Retweet this

Friday, March 20, 2009

Transfer with heat...


















I'm having fun playing with transfers again. Here's how the steps to this one went.

Photo 1 - Prepare watercolor support and transfer image
  • This time I started out with a bit of prepainting on the 140 lb watercolor painting. I wanted a bit of color beneath this transfer. Once that's dry, I determined the exact placement for the transfer. A few pencil marks for guides is a good idea.
  • I put a single layer of Golden Soft Matte Medium over the area receiving the transfer AND over the image. [Cross-directional strokes will result in a nice linen/woven affect.
  • Once both dry I aligned the transfer atop the support and lightly secure it (a bit of tape holds it temporarily)

Photo 2 - Image transfer

  • With my preheated Versa Tool, I carefully and thoroughly heat the paper back of the transfer with a circular motion. The heat melts the two layers of medium together, fusing the ink into the surface of the watercolor paper.

Photo 3 - Removing the paper backing to reveal the transfer

  • The back of the support can now be carefully wet and the paper will roll off to reveal the transfer underneath. This takes old fashioned elbow grease. Roll your finger back and forth until a bit of paper grabs on and begins a roll.
  • Wet and roll, wet and roll. The key factor to get the paper rolled of with no tearing is to wait for the transfer to cool completely.

I've had a couple of great results with this method and frankly, I plan to stick with it. Enjoy!

Retweet this